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Published on March 1, 2008

Spring 2008: Volume 61, Number 3

written by Film Quarterly

COLUMNS

Editor’s Notebook: Easy Words
Rob White

Marx and Coca-Cola: The End
Joshua Clover

Hollywood Notebook: On the Set
Greg Marcks

Two-Point-Zero: Cyberpicketing
Ben Walters

Reprogramming: No More Therapy
Rob White

Counterspectacles: American Mess
Adrian Martin

Second Time Around: Berlin Alexanderplatz
D. A. Miller

Browsed: Monsters and Critics
Aviva Briefel

REVIEW ESSAYS

Histoire(s) du cinéma
James S. Williams

Between Daylight and Darkness: Forever and Silent Light
William Johnson

Spiraling Downward: America in Days of Heaven, In the Valley of Elah, and No Country for Old Men
Joan Mellen

The Wire: The Complete Fourth Season
J. M. Tyree

REPORTS

Film Culture in Rome
David Forgacs

Paris Nous Appartient: Flânerie in Paris and Film
Brigitte Rollet

ARTICLES

Video Frame Enlargments
Bruce Kawin

Painting by the Numbers: The Digital Intermediate
John Belton

BOOK REVIEWS

Cover photo: Günter Lamprecht as Franz Biberkopf in Berlin Alexanderplatz (Rainer Werner Fassbinder, 1979–80). Courtesy The Criterion Collection.

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This entry was posted in: Issues
Tagged with: Film Reviews, FQ 61.3, French Cinema, Hollywood, Jean Luc Godard, New German Cinema, Rainer Werner Fassbinder, Table of Contents
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Film Quarterly offers serious film lovers in-depth articles, reviews, and interviews that examine all aspects of film history, film theory, and the impact of film, video, and television on culture and society.

 

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