Issues

Winter 2010: Volume 64, Number 2

DEPARTMENTS

Editor’s Notebook: Cristi Puiu Discusses Aurora
Rob White

Marx and Coca-Cola: An American Video
Joshua Clover

New York Notebook: Pesos, Paparazzo, Pastry, Painting
William Johnson

Screenings: At the Edge of History
Paul Julian Smith

Second Time Around: In Memoriam: The French Hitchcock
D. A. Miller

Bedsit Cinema: Amnesias of Murder: Mother
Nataša Ďurovičová and Garrett Stewart

Festival Notebook: Wroclaw, Reykjavik
Edward Lawrenson

London Notebook: Disaster Movies
Alberto Toscano

Encounter: Interview with Olivier Assayas
Rob White

Intertitles: Cahiers jaunes
Paul Thomas

TALKING POINTS

Oshima Revisited
Geoffrey Nowell-Smith

The Art of Distribution
Lucas Hilderbrand

Near Dark: An Appreciation
Leo Braudy

FEATURES

Undoing Violence: Politics, Genre, and Duration in Kathryn Bigelow’s Cinema
Caetlin Benson-Allott

Ghost of the Fields: An Interview with Patrick Keiller
Nina Power

Avant-Doc: Eight Intersections
Scott MacDonald

Visionary Television: World on a Wire and Artemis 81
Mark Fisher

BOOK REVIEWS

Cover photo: Kathryn Bigelow during the filming of The Hurt Locker.  Courtesy of Summit Entertainment.

1 Comment

  1. Director Kathryn Bigelow shepherded the film through each showing giving interviews every step of the way. Bigelow May 2009 when the film played at the Seattle International Film Festival.

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