DEPARTMENTS

Editor’s Notebook: Bad Blood
Rob White

Double Take: Gut Crazy
Ben Walters

Screenings: Beneath the Glamour
Paul Julian Smith

Platforming: Slants of Light
Caetlin Benson-Allott

Reconsideration: Bad Blood: Caviar and Ketchup
Rob White

On Digital: Three Endings
Bruce Kawin

Cannes Notebook: Riviera Eschatology
Colin MacCabe

Cannes Notebook: Warning Signs
Edward Lawrenson

Turin Notebook: Pope-shrinking
Geoffrey Nowell-Smith

FEATURES

A Gray Zone between Documentary and Fiction: Interview with Janus Metz
Gerald Sim

Sundays with Mildred
Amelie Hastie

Dreamland and Disillusion: Interview with Dai Sil Kim-Gibson
Megan Ratner

Filming the Crisis: A Survey
Jeff Kinkle and Alberto Toscano

Days of Heaven and Waco: Terrence Malick’s The Tree of Life
David Sterritt

CONTROVERSY
Debating Black Swan: Gender and Horror
Mark Fisher and Amber Jacobs

BOOK REVIEWS

Screen Decades
Donald F. Larson

The Adventure of the Real: Jean Rouch and the Craft of Ethnographic Cinema by Paul Henley
Steven Ungar

The Imperial Trace: Recent Russian Cinema by Nancy Condee
Karla Oeler

On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton, ed. Bruce Jenkins; Optic Antics: The Cinema of Ken Jacobs, ed. Michele Pierson, David E. James, and Paul Arthur
David Sterritt

Cover photo: Armadillo (Janus Metz, 2010). Photo © Lars Skree. Courtesy of Lars Skree and Fridthjof Film. U.S. distributor: Lorber Films. Courtesy of Kick the Machine Films and Illuminations Films.