DEPARTMENTS
Editor’s Notebook: Institutionalized
Rob White
Marx and Coca-Cola: Playing by Numbers
Joshua Clover
Screenings: Crisis at an Angle
Paul Julian Smith
Platforming: Generic Imperative
Caetlin Benson-Allott
Thrills: Archive Fighter
J. M. Tyree
Sundance Notebook: Frontlines
B. Ruby Rich
Reconsideration: Work and Play in eXistenZ
Mark Fisher
Reconsideration: A Matter of Life and Death: A.I.
Jonathan Rosenbaum
Intertitles: Charles-Louis D’Ince?
Paul Thomas
FEATURES
Dangerous Methodology: Interview with David Cronenberg
Megan Ratner
A Dangerous Method: Sight Unseen
Adam Lowenstein
Two Sleeping Beauties
Genevieve Yue
Cave of Forgotten Dreams: Meditations on 3D
Barbara Klinger
Carnage and All: A Discussion
Noah Isenberg and Rob White
Timing and Vulnerability in Three Hitchcock Films
Marta Figlerowicz
Reopening the Matarazzo Case
Erik Bachman and Evan Calder Williams
BOOK REVIEWS
A Companion to Michael Haneke ed. Roy Grundmann
David Sterritt
The Hollywood Sign by Leo Braudy
Edward Buscombe
The Foreign Film Renaissance on American Screens 1946–73 by Tino Balio
Barbara Selznick
Global Art Cinema: New Theories and Histories ed. Rosalind Galt and Karl Schoonover
Kerin Cryderman
Béla Tarr, le temps d’après by Jacques Rancière; Les écarts du cinéma by Jacques Rancière
Alberto Tuscano
Cover photo: Michael Fassbender as Carl Jung in A Dangerous Method (David Cronenberg, 2011). Photo by Liam Daniel. Courtesy of Sony Pictures Classics.