DEPARTMENTS
Tribute: Remembering Ernest “Chick” Callenbach
Ann Martin and Rob White
Marx and Coca-Cola: Enjoy the Silents
Joshua Clover
Screenings: Scare Quotes
Paul Julian Smith
Platforming: Dangerous Illusions
Caetlin Benson-Allott
Second Time Around: Medea
D. A. Miller
Encounter: Interview with Manuel Alberto Claro
Rob White
New York Notebook: Lucian Pintilie: Romania in Focus
Megan Ratner
Histories: Tied Up by Buñuel
Edward Buscombe
Intertitles: Goodbye to All That?
Paul Thomas
FEATURES
Comedy of Abandon: Lars von Trier’s Melancholia
Marta Figlerowicz
Precarious Dystopias: The Hunger Games, In Time, and Never Let Me Go
Mark Fisher
Film Acting and the Arts of Imitation
James Naremore
Information Managers: The Andromeda Strain and The Man Who Fell to Earth
J. M. Tyree
Several Sides of Errol Morris
Kris Fallon
BOOK REVIEWS
Film: A Very Short Introduction, by Michael Wood
David Sterritt
What Cinema Is! by Dudley Andrew; Opening Bazin: Postwar Film Theory and Its Afterlife ed. Dudley Andrew and Hervé Joubert-Laurencin
Geoffrey Nowell-Smith
Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture by Hilary Radner
Alison Hoffman-Han
Film Criticism as Cultural Fantasy: The Perpetual French Discovery of Australian Cinema by Andrew McGregor
Daniel Fairfax
Cover photo: From left: Manuel Alberto Claro, Kirsten Dunst, Lars von Trier, Alexander Skarsgård, and Charlotte Gainsbourg on the set of Melancholia (Lars von Trier, 2011). Photo by Christian Geisnaes. Courtesy of Zentropa Productions.