From the Editor
Thinking about Triggers, Thumbs, Sex, and Death
B. Ruby Rich
Features
Cinema’s Sex Acts
Linda Williams
Wave After Wave After Wave: The Multi-Channel Immersion Of Isaac Julien’s Ten Thousand Waves
Joseph Livesey
Male Beauty And The Erotics Of Intimacy: The Talismanic Cinema Of Mahamat-Saleh Haroun
James S. Williams
Under The Skin: The Perils Of Becoming Female
Ara Osterweil
Columns
The Vulnerable Spectator: Acting Marvelously
Amelie Hastie
Screenings: Guadalajara International Film Festival
Paul Julian Smith
Festival Reports
History, Fantasy, And A Dog’s Life: Cannes 2014
Joan Dupont
Vienna Is No More?: Film History, Psycho-Geography, And The Great City Of Dreams
Noah Isenberg
Truth In Washington | Afi Docs 2014 Festival Report
J. M. Tyree
Page Views
Manifestos: A Forgotten History
Bill Nichols
Book Reviews
David Sterritt
Must We Kill the Thing We Love? Emersonian Perfectionism and the Films of Alfred
Hitchcock by William Rothman
Vika Paranyuk
Sound, Speech, Music in Soviet and Post-Soviet Cinema edited by Lilya Kaganovsky and Masha Salazkina
Jan-Christopher Horak
Lady in the Dark: Iris Barry and the Art of Film by Robert Sitton
Greg Gerke
Eric Rohmer: Interviews edited by Fiona Handyside
Lisa Dombrowski
The $11 Billion Year: From Sundance to the Oscars, an Inside Look at the Changing Hollywood System by Anne Thompson
Ed Sikov
Watching Them Be: Star Presence on the Screen from Garbo to Balthazar by James Harvey
I discovered the masters of the new wave through your esteemed journal in the sixties and the seventies. Those issues of film quarterly opened up the whole new world of the other cinema for me.Cinema has changed a lot in the technical aspects primarily,yet the magic of the medium still lingers.Thanks,FILM QUARTERLY.
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