Issues
Comments 2

Fall 2014: Volume 68, Number 1

From the Editor
Film, Digitality, and Cultural Divides
B. Ruby Rich

Features
Subverting Hollywood From The Inside Out: Melvin Van Peebles’s Watermelon Man
Racquel Gates

Longing To Connect: Cinema’s Year Of OS Romance
Jeff Scheible

Mediation And Remediation: La Parole Filmée In Rithy Panh’s The Missing Picture (L’image Manquante)
Leshu Torchin

The Right Time And Place: Richard Linklater’s Instant Epic
B. Ruby Rich

Letters And The Unseen Woman: Epistolary Architecture In Three Recent Video Games
Daniel Reynolds

Preface To Concerning Violence: Nine Scenes From The Anti-Imperialistic Self-Defense
Gayatri Chakravorty Spivak

Columns
The Vulnerable Spectator: Blood And Photons: The Fundamental
Particles Of Only Lovers Left Alive
Amelie Hastie

Screenings: Letter From Bogotá
Paul Julian Smith

Festival Reports
La Realtà: Open Roads New Italian Cinema Festival
Megan Ratner

Damn The War: Rediscovered Cinema In Bologna
Evan Calder Williams

Page Views
Kristin Whissel Talks About Spectacular Digital Effects: CGI and Contemporary Cinema
Regina Longo

Book Reviews
Dana Polan
An Invention without a Future: Essays on Cinema by James Naremore

Akiva Gottlieb
Slow Movies: Countering the Cinema of Action by Ira Jaffe

Ela Bittencourt
Riot by Isaac Julien

Alice Bolin
Scandals of Classic Hollywood: Sex, Deviance, and Drama from the Golden Age of American Cinema by Anne Helen Petersen

Aaron Rich
The Dark Galleries: A Museum Guide to Painted Portraits in Film Noir, Gothic Melodramas, and Ghost Stories of the 1940s and 1950s by Steven Jacobs and Lisa Colpaert

Michael Sandlin
The Selected Letters of Elia Kazan edited by Albert J. Devlin with Marlene J. Devlin

2 Comments

  1. christina vivona says

    My university is subscribed to JSTOR and various other resource sites, yet I am unable to access this. I need this issue for a research paper, namely the article concerning Only Lovers Left Alive. Thanks

    Like

    • Regina says

      You can access all FQ issues past and present at this link: fq.ucpress.edu

      Like

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