From the Editor
Film, Digitality, and Cultural Divides
B. Ruby Rich
Features
Subverting Hollywood From The Inside Out: Melvin Van Peebles’s Watermelon Man
Racquel Gates
Longing To Connect: Cinema’s Year Of OS Romance
Jeff Scheible
Mediation And Remediation: La Parole Filmée In Rithy Panh’s The Missing Picture (L’image Manquante)
Leshu Torchin
The Right Time And Place: Richard Linklater’s Instant Epic
B. Ruby Rich
Letters And The Unseen Woman: Epistolary Architecture In Three Recent Video Games
Daniel Reynolds
Columns
The Vulnerable Spectator: Blood And Photons: The Fundamental
Particles Of Only Lovers Left Alive
Amelie Hastie
Screenings: Letter From Bogotá
Paul Julian Smith
Festival Reports
La Realtà: Open Roads New Italian Cinema Festival
Megan Ratner
Damn The War: Rediscovered Cinema In Bologna
Evan Calder Williams
Page Views
Kristin Whissel Talks About Spectacular Digital Effects: CGI and Contemporary Cinema
Regina Longo
Book Reviews
Dana Polan
An Invention without a Future: Essays on Cinema by James Naremore
Akiva Gottlieb
Slow Movies: Countering the Cinema of Action by Ira Jaffe
Ela Bittencourt
Riot by Isaac Julien
Alice Bolin
Scandals of Classic Hollywood: Sex, Deviance, and Drama from the Golden Age of American Cinema by Anne Helen Petersen
Aaron Rich
The Dark Galleries: A Museum Guide to Painted Portraits in Film Noir, Gothic Melodramas, and Ghost Stories of the 1940s and 1950s by Steven Jacobs and Lisa Colpaert
Michael Sandlin
The Selected Letters of Elia Kazan edited by Albert J. Devlin with Marlene J. Devlin
My university is subscribed to JSTOR and various other resource sites, yet I am unable to access this. I need this issue for a research paper, namely the article concerning Only Lovers Left Alive. Thanks
You can access all FQ issues past and present at this link: fq.ucpress.edu