From the Editor
New Visions, Old Crises
B. Ruby Rich
Features
Vision, Mystery, And Release in The Reverse Field: Bruno Dumont’s L’il Quinquin
James S. Williams
The Act of Remembering, The Xianchang of Recording: The Folk/Minjian Memory Project in China
Angela Zito
The “Trivialist Cinema” of Roy Andersson: An Interview
Megan Ratner
A Sudden Passion
Carlos Adriano’s Sem Titulo #1: Dance of Leitfossil
Scott Macdonald
Columns
The Vulnerable Spectator: In the Clouds
Amelie Hastie
Screenings: CCC, The Mexican State Film School
Paul Julian Smith
For/From the Archives
Unsettling the Archive: Tell It Like It Is and the Constitutive Possibilities of Black Film History
Nicholas Forster
Festival Reports
Cannes 2015: The Palm Wore Black
Joan Dupont
The Busan International Film Festival in Crisis Or, What Should a Film Festival Be?
Darae Kim, Dina Iordanova, and Chris Berry
Blu-Ray/DVD Reviews
Passive Resistance: The Deceptive Calm of The Silence of The Sea (Le Silence De La Mer)
Jonathan Kirshner
Book Reviews
Dana Polan
Off-Screen Cinema: Isidore Isou and the Lettrist Avant-Garde by Kaira M. Cabañas
Catherine Grant
Women’s Cinema World Cinema: Projecting Contemporary Feminisms by Patricia White
Jonathan Rosenbaum
The Writers: A History of American Screenwriters and Their Guild by Miranda J. Banks
Christina Gerhardt
Werner Herzog: Interviews, edited by Eric Ames and Werner Herzog: A Guide for the Perplexed, edited by Paul Cronin
Violet Lucca
Maya Deren: Incomplete Control by Sarah Keller
Phillip Maciak
Closed Circuits: Screening Narrative Surveillance by Garrett Stewart and Surveillance Cinema by Catherine Zimmer
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