From the Editor
Evidence of Visibility
B. Ruby Rich

Features
Sketchy Lesbians: Carol As History And Fantasy
Patricia White

Jurassic World And Procreation Anxiety
Richard Dyer

Chronicle Of A Quest: Silence After Killing
Leshu Torchin

Columns
The Vulnerable Spectator: Minnie And Me And The Living Girls
Amelie Hastie

Letter From Mexico: Expanding The Brand
Paul Julian Smith

For/From the Archives
Movie Madness: Mostly Lost 4 Workshop
J. M. Tyree

Festival Reports
Troubled Times On The Potemkin Steps: The Odessa International Film Festival
Masha Shpolberg

Touching Hearts: The Uncertain But Strategic Politics Of Kashish 2015
Ani Maitra

Toronto Turns Forty
B. Ruby Rich

In Memoriam
Wes Craven: Thinking Through Horror
Caetlin Benson-Allott

Candida Royalle, 1950–2015
Constance Penley

Page Preview
Carlos Fuentes, the Cinephile
Ignacio M. Sánchez Prado

“Salón Victoria”
Carlos Fuentes
as translated by Alejandro Branger

Book Reviews
Dana Polan
The Dawn of Technicolor, 1915–1935 by James Layton and David Pierce

Najmeh Moradiyan Rizi
New Voices in Arab Cinema by Roy Armes

Laura Isabel Serna
Mexico on Main Street: Transnational Film Culture in Los Angeles before World War II by Colin Gunckel

Ed Sikov
Madeline Kahn: Being the Music, A Life by William V. Madison

Mary Desjardins
“It’s the Pictures That Got Small”: Charles Brackett on Billy Wilder and Hollywood’s Golden Age edited by Anthony Slide

Emre Çağlayan
Mise en Scène and Film Style: From Classical Hollywood to New Media Art by Adrian Martin

Eleanor Huntington
Shirley Temple and the Performance of Girlhood by Kristen Hatch

Eulogy
Homage to Chantal Akerman
Delphine Horvilleuras
translated by Mark Cohen