From the Editor
Evidence of Visibility
B. Ruby Rich
Features
Sketchy Lesbians: Carol As History And Fantasy
Patricia White
Jurassic World And Procreation Anxiety
Richard Dyer
Chronicle Of A Quest: Silence After Killing
Leshu Torchin
Columns
The Vulnerable Spectator: Minnie And Me And The Living Girls
Amelie Hastie
Letter From Mexico: Expanding The Brand
Paul Julian Smith
For/From the Archives
Movie Madness: Mostly Lost 4 Workshop
J. M. Tyree
Festival Reports
Troubled Times On The Potemkin Steps: The Odessa International Film Festival
Masha Shpolberg
Touching Hearts: The Uncertain But Strategic Politics Of Kashish 2015
Ani Maitra
Toronto Turns Forty
B. Ruby Rich
In Memoriam
Wes Craven: Thinking Through Horror
Caetlin Benson-Allott
Candida Royalle, 1950–2015
Constance Penley
Page Preview
Carlos Fuentes, the Cinephile
Ignacio M. Sánchez Prado
“Salón Victoria”
Carlos Fuentes
as translated by Alejandro Branger
Book Reviews
Dana Polan
The Dawn of Technicolor, 1915–1935 by James Layton and David Pierce
Najmeh Moradiyan Rizi
New Voices in Arab Cinema by Roy Armes
Laura Isabel Serna
Mexico on Main Street: Transnational Film Culture in Los Angeles before World War II by Colin Gunckel
Ed Sikov
Madeline Kahn: Being the Music, A Life by William V. Madison
Mary Desjardins
“It’s the Pictures That Got Small”: Charles Brackett on Billy Wilder and Hollywood’s Golden Age edited by Anthony Slide
Emre Çağlayan
Mise en Scène and Film Style: From Classical Hollywood to New Media Art by Adrian Martin
Eleanor Huntington
Shirley Temple and the Performance of Girlhood by Kristen Hatch
Eulogy
Homage to Chantal Akerman
Delphine Horvilleuras
translated by Mark Cohen