From the Editor
A Vocation In Film
B. Ruby Rich
Features
Jewish, Queer-ish, Trans, and Completely Revolutionary: Jill Soloway’s Transparent and the New Television
Amy Villarejo
Ex Machina In The Garden
Brian Jacobson
Exploitation, Victimhood, and Gendered Performance In Rituparno Ghosh’s Bariwali
Rohit K. Dasgupta And Tanmayee Banerjee
Interviews
Cosmologies Of Black Cultural Production: A Conversation with Afrosurrealist Filmmaker Christopher Harris
Terri Francis
Google Hangout With Annie Baker, Playwright 1/25/16, 2:33 pm
Genevieve Yue
Looking Out For Something Better To Come: Interview with Director Hanna Polak
Masha Shpolberg
Columns
The Vulnerable Spectator: Ryan Coogler’s Creed: Showing The Love
Amelie Hastie
Screenings: Letter From Mexico: The Queer Mainstream
Paul Julian Smith
Festival Reports
IDFA: A Festival Of Attractions
Bill Nichols
Chinese Documentaries At IDFA 2015
Patricia Aufderheide
Sundance 2016: Uplifting, Tragic, Always Disruptive
B. Ruby Rich
Remembrance Of Things To Come: The 37th Havana Festival Of New Latin American Film
Gerd Gemünden and Silvia Spitta
Cinematic Convergences, Collective Intelligence: The 45th International Film Festival Rotterdam
Clarence Tsui
PageViews
Skirts and Pants and Everything In Between: Laura Horak on Girls Will Be Boys: Cross-Dressed Women, Lesbians, and American Cinema, 1908–1934
Regina Longo
Book Reviews
Dana Polan
The Rhapsodes: How 1940s Critics Changed American Film Culture by David Bordwell
Scott MacDonald
The Cinema of Poetry by P. Adams Sitney
Brian Hu
Making Asian American Film and Video: History, Institutions, Movements by Jun Okada
J.E. Smyth
Cinema and Counter-History by Marcia Landy
Raymond Watkins
The Parisian Avant-Garde in the Age of Cinema, 1900–1923 by Jennifer Wild
Lisa Wells Jacobson
The Use and Abuse of Cinema: German Legacies from the Weimar Era to the Present by Eric Rentschler
Manuel Betancourt
Mike Nichols: Sex, Language, and the Reinvention of Psychological Realism by Kyle Stevens
Charles Maland
The Many Lives of Cy Endfield: Film Noir, the Blacklist, and “Zulu” by Brian Neve
Hi, I am very interested to read the following article:
Exploitation, Victimhood, and Gendered Performance In Rituparno Ghosh’s Bariwali
Rohit K. Dasgupta And Tanmayee Banerjee
Can you please send me a pdf copy?
Thanks,
Sayandip.
You can read this article for free now at fq.ucpress.edu.
Thanks for your interest in FQ!