FROM THE EDITOR

When History Makes the Cut
B. Ruby Rich

FEATURES

Scenes of Hurt and Rapture: Céline Sciamma’s Girlhood
Emma Wilson

Bodies That Matter: Black Girlhood in The Fits
Patricia White

Girl Power: Back to the Future of Feminist Science Fiction with Into the Forest and Arrival
Sophie Mayer

INTERVIEWS

Toni Erdmann, Faux Pa: Interview with Maren Ade
Megan Ratner

One Step Ahead: A Conversation with Barry Jenkins
Michael Boyce Gillespie

COLUMNS

Elsewhere: The Cultural Consolation of Ava DuVernay’s Queen Sugar
Bilal Qureshi

Screenings: Letter from Mexico City: The Life and Death of Juan Gabriel
Paul Julian Smith

The Vulnerable Spectator: Passing Time with Certain Women
Amelie Hastie

FESTIVAL REPORTS

Cuban Documentary Retrospective at DocLisboa 2016
Patricia Aufderheide

PAGE VIEWS

Of World Wars and Cold Wars and Hollywood Classics: Noah Isenberg on We’ll Always Have Casablanca: The Life, Legend, and Afterlife of Hollywood’s Most Beloved Movie and Glenn Frankel on High Noon: The Hollywood Blacklist and the Making of an American Classic
Regina Longo

BOOK REVIEWS

Steven Spielberg: A Life in Films by Molly Haskell
Carrie Rickey

New Maricón Cinema: Outing Latin American Film by Vinodh Venkatesh
Manuel Betancourt

Fade to Gray: Aging in American Cinema by Timothy Shary and Nancy McVittie
Sara Bakerman

Cinema without Reflection: Jacques Derrida’s Echopoiesis and Narcissism Adrift by Akira Mizuta Lippit
Swagato Chakravorty

Hellboy’s World: Comics and Monsters on the Margins by Scott Bukatman
Paul Young

Never Done: A History of Women’s Work in Media Production by Erin Hill
Maxfield Fulton

In Secrecy’s Shadow: The OSS and CIA in Hollywood Cinema, 1941–1979 by Simon Willmetts
Rebecca Prime