FROM THE EDITOR
Turning Sixty
B. Ruby Rich
FEATURES
Unrest: Gender, Chronic Illness, and the Limits Of Documentary Visibility
Megan Moodie
Emotion Pictures: International Melodrama, A Virtual Report
Linda Williams
INTERVIEWS
Searching For Nelly Kaplan
Joan Dupont
“I Was Never Afraid,” An Interview with Lucrecia Martel
Gerd Gemünden and Silvia Spitta
COLUMNS
Letter from Madrid | La Llamada, Paquita Salas, And The Javis
Paul Julian Smith
Elsewhere | The War for Nostalgia: Sanjay Leela Bhansali’s Padmaavat
Bilal Qureshi
On Platforms | What It Means to be High Maintenance
Caetlin Benson-Allott
FESTIVAL REPORTS
Report From Tbilisi
Jerry White
A Mechanism Capable of Changing Itself: Berlinale 2018
Selina Robertson
The Scales of Justice: Sundance 2018
B. Ruby Rich
PAGE VIEWS
Cinema and the Anthropocene: A Conversation with Jennifer Fay
Nicholas Baer
BOOK REVIEWS
Show Trial: Hollywood, HUAC, and the Birth of the Blacklist by Thomas Doherty
Carrie Rickey
The End of Japanese Cinema: Industrial Genres, National Times, Media Ecologies by Alexander Zahlten
Rea Amit
A Dance with Fred Astaire by Jonas Mekas
Girish Shambu
Going Viral: Zombies, Viruses, and the End of the World by Dahlia Schweitzer
Dawn Keetley
Queer Mexico: Cinema and Television since 2000 by Paul Julian Smith
Manuel Betancourt
Producer of Controversy: Stanley Kramer, Hollywood Liberalism, and the Cold War by Jennifer Frost
Rebecca Prime
The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox by Vanda Krefft
Frederick Wasser
Header Image: Director Lucrecia Martel photographed in
New York City by Henny Garfunkel. © Henny Garfunkel
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