Summer 2018: Volume 71, Number 4



Turning Sixty
B. Ruby Rich


Unrest: Gender, Chronic Illness, and the Limits Of Documentary Visibility
Megan Moodie

Emotion Pictures: International Melodrama, A Virtual Report
Linda Williams


Searching For Nelly Kaplan
Joan Dupont

“I Was Never Afraid,” An Interview with Lucrecia Martel
Gerd Gemünden and Silvia Spitta


Letter from Madrid | La Llamada, Paquita Salas, And The Javis
Paul Julian Smith

Elsewhere | The War for Nostalgia: Sanjay Leela Bhansali’s Padmaavat
Bilal Qureshi

On Platforms | What It Means to be High Maintenance
Caetlin Benson-Allott


Report From Tbilisi
Jerry White

A Mechanism Capable of Changing Itself: Berlinale 2018
Selina Robertson

The Scales of Justice: Sundance 2018
B. Ruby Rich


Cinema and the Anthropocene: A Conversation with Jennifer Fay
Nicholas Baer


Show Trial: Hollywood, HUAC, and the Birth of the Blacklist by Thomas Doherty
Carrie Rickey

The End of Japanese Cinema: Industrial Genres, National Times, Media Ecologies by Alexander Zahlten
Rea Amit

A Dance with Fred Astaire by Jonas Mekas
Girish Shambu

Going Viral: Zombies, Viruses, and the End of the World by Dahlia Schweitzer
Dawn Keetley

Queer Mexico: Cinema and Television since 2000 by Paul Julian Smith
Manuel Betancourt

Producer of Controversy: Stanley Kramer, Hollywood Liberalism, and the Cold War by Jennifer Frost
Rebecca Prime

The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox by Vanda Krefft
Frederick Wasser

Header Image: Director Lucrecia Martel photographed in
New York City by Henny Garfunkel. © Henny Garfunkel

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