From the Editor
A Deer in the Headlights
B. Ruby Rich
Features
The Handmaid’s Tale as Ustopian Allegory: “Stars and Stripes Forever, Baby”
Heather Hendershot
The Time is Now: Pressure, Guerrilla, and the (Re)Invention of Black British Cinema and History
James S. Williams
Decolonizing Documentary On-Screen and Off: Sensory Ethnography and the Aesthetics of Accountability
Faye Ginsburg
Interviews
The Landscape of Futurelessness: An Interview with Brett Story
Scott MacDonald
Columns
The Vulnerable Spectator |”It was the Seventies”
Amelie Hastie
Screenings | Letter from Peru: Teen Telenovela, Popular Comedy, Auteur Cinema
Paul Julian Smith
Elsewhere | A Tale of Two Arabias
Bilal Qureshi
Festival Reports
Emotional Images, Immersive Realities: The Fortieth Cinéma du Réel
Clarence Tsui
Love: The Eleventh Annual Orphan Film Symposium
Liz Czach
In Memoriam
Master of Cinema Novo: Nelson Pereira Dos Santos, 1928-2018
João Luiz Vieira
Page Views
Cinema of the 1970s Palestinian Revolution: A Conversation with Nadia Yaqub
Nicholas Baer
Book Reviews
Nobody’s Girl Friday: The Women Who Ran Hollywood by J. E. Smyth
Carrie Rickey
Charles Burnett: A Cinema of Symbolic Knowledge by James Naremore
Aaron Cutler
Agnès Varda: Between Film, Photography, and Art by Rebecca J. DeRoo
Violet Lucca
Comic Venus: Women and Comedy in American Silent Film by Kristen Anderson Wagner
Specters of Slapstick and Silent Film Comediennes by Maggie Hennefeld
Joanna E. Rapf
Stanley Kubrick: New York Jewish Intellectual by Nathan Abrams
David Mikics