FROM THE EDITOR

THE OBAMAS, WOODY ALLEN, AND THE EUROPE–U.S. DIVIDE
B. Ruby Rich

FEATURES

JULIA REICHERT AND THE WORK OF TELLING WORKING-CLASS STORIES
Patricia Aufderheide

ALONE AGAIN TONIGHT: RUSSIAN DOLL
Sarah Kessler

CINE-AGORA AFRICANA: MEDITATING ON THE FIFTIETH ANNIVERSARY OF FESPACO
Aboubakar Sanogo

INTERVIEW

MARCELINE LORIDAN-IVENS: A POSTHUMOUS INTERVIEW
Joan Dupont

COLUMNS

Cineando | LOOKING BACK, LOOKING ASKEW: 1980S MEXICO IN
LAS NIÑAS BIEN, ESTO NO ES BERLÍN, MUSEO
Manuel Betancourt

Elsewhere | BENDING IT LIKE CHADHA
Bilal Qureshi

On Platforms |RACE, RAGE, AND GENRE REVISIONISM
Caetlin Benson-Allott

FESTIVAL REPORTS

BOLOGNA, MY LOVE: IL CINEMA RITROVATO
Carla Marcantonio

HISTORY CALLING: DECOLONIZING CINEMA AT NEW YORK’S FILM FORUM
Jamie Berthe

YOU DON’T OWN THIS WAR: ARAB WOMEN’S CINEMA SHOWCASE
Müge Turan

TORONTO 2019: FROM BUDAPEST TO THE ZEITGEIST
B. Ruby Rich

PAGE VIEWS

CINEMATIC ARCHIVES OF THE PRESENT: A CONVERSATION WITH
GUSTAVO PROCOPIO FURTADO
Bruno Guaraná

BOOK REVIEWS

Hitchcock’s People, Places, and Things by John Bruns
Carrie Rickey

Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé by James Cahill
Oliver Gaycken

Lana and Lilly Wachowski by Caél M. Keegan
Lucas Hilderbrand

African Cinema and Human Rights edited by Mette Hjort and Eva J⊘rholt
MaryEllen Higgins

Frame by Frame: A Materialist Aesthetics of Animated Cartoons by Hannah Frank
Patrick Sullivan