FROM THE EDITOR
THE OBAMAS, WOODY ALLEN, AND THE EUROPE–U.S. DIVIDE
B. Ruby Rich
FEATURES
JULIA REICHERT AND THE WORK OF TELLING WORKING-CLASS STORIES
Patricia Aufderheide
ALONE AGAIN TONIGHT: RUSSIAN DOLL
Sarah Kessler
CINE-AGORA AFRICANA: MEDITATING ON THE FIFTIETH ANNIVERSARY OF FESPACO
Aboubakar Sanogo
INTERVIEW
MARCELINE LORIDAN-IVENS: A POSTHUMOUS INTERVIEW
Joan Dupont
COLUMNS
Cineando | LOOKING BACK, LOOKING ASKEW: 1980S MEXICO IN
LAS NIÑAS BIEN, ESTO NO ES BERLÍN, MUSEO
Manuel Betancourt
Elsewhere | BENDING IT LIKE CHADHA
Bilal Qureshi
On Platforms |RACE, RAGE, AND GENRE REVISIONISM
Caetlin Benson-Allott
FESTIVAL REPORTS
BOLOGNA, MY LOVE: IL CINEMA RITROVATO
Carla Marcantonio
HISTORY CALLING: DECOLONIZING CINEMA AT NEW YORK’S FILM FORUM
Jamie Berthe
YOU DON’T OWN THIS WAR: ARAB WOMEN’S CINEMA SHOWCASE
Müge Turan
TORONTO 2019: FROM BUDAPEST TO THE ZEITGEIST
B. Ruby Rich
PAGE VIEWS
CINEMATIC ARCHIVES OF THE PRESENT: A CONVERSATION WITH
GUSTAVO PROCOPIO FURTADO
Bruno Guaraná
BOOK REVIEWS
Hitchcock’s People, Places, and Things by John Bruns
Carrie Rickey
Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé by James Cahill
Oliver Gaycken
Lana and Lilly Wachowski by Caél M. Keegan
Lucas Hilderbrand
African Cinema and Human Rights edited by Mette Hjort and Eva J⊘rholt
MaryEllen Higgins
Frame by Frame: A Materialist Aesthetics of Animated Cartoons by Hannah Frank
Patrick Sullivan