Spring 2022: Volume 75, Number 3

From the Editor

Don’t Look Down: Film’s COVID Prospects
B. Ruby Rich


Desire Lines: Sky Hopinka’s Undisciplining of Vision
Diana Flores Ruíz

On the Necessity of Bad Trans Objects
Cáel M. Keegan

Digging Up the Future: Almodóvar’s Parallel Mothers
Carla Marcantonio


Knife to the Heart: A Conversation with Wayne Wang on the Occasion of the Fortieth Anniversary of Chan Is Missing
Oliver Wang

Pascale Ferran: A Renegade in French Cinema
Joan Dupont


Elsewhere | From Diversity Hire to Diverse Critic: A Personal Case Against Critical Representation Theory
Bilal Qureshi

raw Genre | Identity Remakes In and Out of Time: Notes on Scenes from a Marriage
Rebecca Wanzo

Cineando | Towards a Nonfiction Cinema of Audience Accountability
Manuel Betancourt

Page Views

Hollywood’s Embassies: A Conversation with Ross Melnick
Bruno Guaraná

Book Reviews

Life-Destroying Diagrams by Eugenie Brinkema
Rosalind Galt

The Japanese Cinema Book, edited by Hideaki Fujiki and Alistair Phillips
Routledge Handbook of Japanese Cinema, edited by Joanne Bernardi and Shota T. Ogawa
A Companion to Japanese Cinema, edited by David Dresser

Markus Nornes

Post-Horror: Art, Genre, and Cultural Elevation by David Church
Caetlin Benson-Allott

Molecular Capture: The Animation of Biology by Adam Nocek
Mikki Kressbach

Whitewashing the Movies: Asian Erasure and White Subjectivity in US Film Culture by David C. Oh
Brian Hu

How Do We Look: Resisting Visual Biopolitics by Fatimah Tobing Rony
Maggie Roberts