Author: Film Quarterly

Fall 2022: Volume 76, Number 1

Interview: Karim Aïnouz
Madame Satã at Twenty
A Night of Knowing Nothing
Refugee Narratives—Before Flee
Insomnia of a Serial Dreamer
Page Views: Lynn Spigel
Thessaloniki Documentary Festival
Cannes Film Festival at Seventy-Five
Columns: Dementia, Close-Ups, Julia Child

headshots of Lindsey Green-Simms, Bruno Guarana, and B. Ruby Rich

PAGE VIEWS LIVE: A Conversation with Lindsey Green-Simms

Film Quarterly’s original webinar series showcasing the best in recent film and media studies publications continued on July 6th with a conversation between Page Views editor Bruno Guaraná (Boston University) and Lindsey Green-Simms (American University) about her new book, Queer African Cinemas (Duke University Press, 2022). Moderated by FQ editor-in-chief B. Ruby Rich.

PAGE VIEWS LIVE: A Conversation with Ross Melnick

Film Quarterly’s webinar series showcasing the best in recent film and media studies publications continued on April 22nd with a conversation between Page Views editor Bruno Guaraná (Boston University) and Ross Melnick (University of California Santa Barbara) about his new book Hollywood’s Embassies: How Movie Theaters Projected Power Around the World (Columbia University Press, 2022), introduced by FQ editor-in-chief B. Ruby Rich.

Knife to the Heart: A Conversation with Wayne Wang on the Occasion of the Fortieth Anniversary of Chan Is Missing

Getting fired from a soap opera may have been the turning point in Wayne Wang’s life and career. In 1974, Wang had returned to his native Hong Kong, armed with a graduate degree in film from the California College of Arts and Crafts in Oakland. He landed a gig at Royal Television Hong Kong (RTHK), one of the city’s biggest studios, and found himself in the company of such fellow new wave filmmakers as Tsui Hark, Ann Hui, and Allen Fong. Wang recalled: “We were all young with ‘We’re going to change the world’ attitudes