Revisiting the Decade: A World, and Cinema, in Upheaval
This marks my fortieth and final editorial as I step down from my post as editor in chief of this wonderful journal. Ten years ago, I accepted the helm of Film Quarterly with the intention of transforming it into a journal that I wanted to read, a journal that could offer the field of film and media studies an “alternative commons” instead of the usually siloed areas of identities, nationalities, sexualities, racializations, studies, and specializations that fracture it.