All posts filed under: Editorials

From the desk of Film Quarterly editor B. Ruby Rich

What Is at Stake: Gender, Race, Media, or How to Brexit Hollywood

FQ Editor-in-Chief B. Ruby Rich’s quarterly roundup of the issue: Fall 2016, Volume 70, Number 1. The issue pays homage to Chantal Akerman with a special dossier co-edited with Ivone Margulies. Rich also weighs in on being female onscreen and online, and the origins of Girlpower. She charts a course for readers through this special issue that also includes the first English translations of some of Akerman’s work, Laura Mulvey on the Jeanne Dielman universe, an in-depth feature article on Mati Diop’s documentary MILLE SOLEILS, columns by Paul Julian Smith and Amelie Hastie, festival coverage, and more.

A Vocation in Film

FQ Editor-in-Chief B. Ruby Rich’s roundup of the Summer 2016 issue: Volume 69, Number 4. Rich recalls the early years of university-level film history courses, assesses the barrage of industry news that lands on her desk daily, and pays homage to Richard Dyer, who was honored by the Society for Cinema and Media Studies at their annual conference. Dyer’s first published monograph, GAYS AND FILM (1977), came into the world in a vacuum. There was simply no such field. Today, it is difficult to comprehend the force of imagination and courage required to launch such a career at such a time. Forty years ago, a grand ballroom would not have filled with people and applause for a gay scholar; today, it was unremarkable that one did.

Evidence of Visibility

“People need a screen.” With those words, author/activist Naomi Klein galvanized the room at the CBC Glenn Gould Theatre, where a daylong documentary discussion was held in September in conjunction with the Toronto International Film Festival [see “Toronto Turns Forty” in this issue]../

New Visions, Old Crises

Documentary has been in the grip of a shape-shifting transformation, thanks to shifts in technologies, genre, journalism, and the status of evidence and veracity. Not since the 1980s—when the invention of camcorders, VHS tape, and VCR machines, alongside the debut of cable television, fueled the last great upheaval—has the field been so explosively inventive and destabilized

On Screen, Off Screen

If timing is everything, then the cycle of a quarterly is a frustrating one, especially for a film journal. A quarter of a year: it’s close enough to film premieres and television rollouts for the writing to be inspired, yet once into production, it’s still months away from delivery to the world.

Chance Meetings and Metrics, with More to Come

FQ Editor-in-Chief B. Ruby Rich’s quarterly roundup of the issue: Winter 2014, Volume 68, Number 2. She recounts her chance meeting at the Toronto Film Festival with celebrated director Zhang Yimou, the IDA convening with the Academy of Motion Picture Arts and Sciences in LA, which she attended, and what the new industry buzzword— “metrics”—portends for the field.