The first English translation of a 2022 manifesto co-signed by 30 Hong Kong filmmakers, following the imposition of the national security law in 2020.
Mihaela Mihailova on the likely impacts of AI upon animation and visual-effects work.
Annie Berke on Marvel’s attitude towards its actors, who are “versatile as a void.”
Monique Wittig’s 1966 essay on Jean-Luc Godard, her first piece of criticism.
Leshu Torchin on the emerging measures for care in the media industry–and how they fall short.
Nolan Kelly on the renewed urgency of Loznitsa’s documentaries at this historical moment.
Girish Shambu on the landscape of experimental documentary and Jacquelyn Mills’s “Geographies of Solitude”
Beth Capper on the abolitionist prison documentary.
Alisa Lebow on the timeliness of “Soylent Green,” which was made nearly 50 years ago but is set in 2022.
Masha Shpolberg interviews Volodymyr Tykhyy, one of the founders of Ukraine’s Babylon’13 collective.