On the occasion of the exhibition of Isaac Julien‘s celebrated 10 screen installation, Lessons of the Hour, Film Quarterly collaborated with the McEvoy Foundation for the Arts on a webinar to mark this meditation on Frederick Douglass and his times. On October 28th, FQ editor B. Ruby Rich moderated a discussion of Julien’s genre-breaking and immersive moving-image practice with the artist himself as well as with professors Kass Banning (University of Toronto) and Warren Crichlow (York University, Toronto), authors of the first major study of the exhibition, “A Grand Panorama: Isaac Julien, Frederick Douglass, and Lessons of the Hour,” (FQ 73.4).
On September 25th, Film Quarterly launched PAGE VIEWS LIVE, its new webinar series showcasing the best in recent film and media studies publications. The series kicked off with a conversation between Page Views editor Bruno Guaraná and Samantha N. Sheppard about her highly anticipated new book, Sporting Blackness: Race, Embodiment, and Critical Muscle Memory on Screen.
On June 5th, Brian Hu and FQ editor B. Ruby Rich moderated a virtual roundtable on Asian American filmmaking in New York during the 1980s and 1990s. With FQ special dossier contributors Roddy Bogawa, Shu Lea Cheang, Daryl Chin, Vince Schleitwiler, and Rea Tajiri.
On May 22, Brian Hu and FQ’s editor B. Ruby Rich moderated a virtual conversation celebrating fifty years of Asian American film. With FQ special dossier contributors Lan Duong, Viola Lasmana, Josslyn Luckett, Melissa Phruksachart, and Oliver Wang.
To accompany the two week revival playing at New York’s Quad Cinema (Wild Things: The Ferocious Films of Nelly Kaplan, April 12-25, 2019), Film Quarterly contributing editor Joan Dupont filmed a short interview with the Argentine emigré director Nelly Kaplan. Video recorded and edited by Manuel David.
Lucrecia Martel – In conversation – April 22, 2018. This page contains documentation of excerpts from Lucrecia Martel’s appearance at the BAMPFA Pacific Film Archive, in conversation with FQ’s B. Ruby Rich. Video recorded and edited for Film Quarterly by Juan Carlos Davíla and Rana Jarbou. Thanks to Kathryn McKay and Marcus Hu. Support from the Ford Foundation JustFilms initiative.
“Dimensions in Black: Perspectives on Black Film and Media.” The live launch of FQ 71.2 at the Film Society of Lincoln Center on December 5, 2017. This event featured the dossier authors and editor in conversation with each other and the audience.
Two special evenings took place at BAMPFA on November 17 and 18, 2016 featuring filmmaker Madeline Anderson and Orlando Bagwell, former Director of the documentary program at UC Berkeley’s Graduate School of Journalism, in conversation on Anderson’s groundbreaking career.
Film Quarterly has been interested for some time in establishing a critical approach to works made in Virtual Reality (VR). Homay King had begun conducting interviews with Shari Frilot to that same end. FQ then invited them to make that dialogue public with a conversation on stage at UC Santa Cruz on the implications of the VR platform to be shared with FQ readers.
Robert Townsend and Keenen Ivory Wayans are true pioneers and godfathers of American Independent Cinema. The New York Times’ critic Janet Maslin called their film Hollywood Shuffle “exuberant satire,” and accurately noted its “reality-minded humor.” That’s a remarkable achievement considering that the film is remembered not only for its breakthrough critique of the entertainment industry’s stereotyping of African Americans, but also for its free-wheeling sketch comedy structure that feels fresh and original while also bringing to mind The Secret Life of Walter Mitty (Norman Z. McLeod, 1947), the films of Preston Sturges, and the early work of Woody Allen. The film was made in twelve days over the course of two years for $100,000, much of it put on credit cards. It grossed $5 million in its initial release and was honored at the 1987 Deauville Festival and again in 1988 at the Spirit Awards. It is as funny a work as it is serious, and as serious as it is funny.