All posts tagged: Adaptation in Film

Todd Haynes’s “Poison” Reconsidered

Poison tells three tales about ostracism. In “Horror,” an experimental serum turns an overzealous scientist into a plague-carrier; this storyline is filmed in the style of trashy “psychotronic” B-movies such as Glen or Glenda and Carnival of Souls with a touch also of Samuel Fuller…

The Lonely Road

A new kind of apocalypse emerges in Cormac McCarthy’s 2006 novel, The Road. Nature here is not an active presence which verdantly reclaims former human habitations, as in a certain apocalyptic tradition which started with Mary Shelley’s The Last Man.

Global Hollywood Versus National Pride: The Battle to Film The Forty Days of Musa Dagh

Motion pictures play a significant role in determining how people around the world perceive their own and other societies. Governments have therefore been sensitive to cinematic portrayals of their countries and are quick to complain when they feel that a movie treats their citizens poorly. An example of this occurred in 2002, when Canadian-Armenian writer-director Atom Egoyan released Ararat