The Inventor: Out for Blood in Silicon Valley (2019), about the infamous biotech company Theranos and its enigmatic founder, Elizabeth Holmes, is the latest documentary from Alex Gibney. The Theranos/Holmes story is a perfect vehicle for Gibney, a writer-director who specializes in essayistic films that detail the complex nexus of dishonesty, ruthlessness, hubris, and painful reckonings. His filmography is filled with documentaries that fastidiously recount the dark underbelly of outrageous acts by rich and powerful people who eventually get their comeuppance—such as Enron: The Smartest Guys in the Room (2005), Taxi to the Dark Side (2007), The Armstrong Lie (2013), Client 9: The Rise and Fall of Eliot Spitzer (2010), and Going Clear: Scientology and the Prison of Belief (2015).
Back in 2016, when Donald J. Trump was elected president of the United States, there was considerable public discussion about whether or not he would be able to govern by trafficking in the same falsehoods and public prejudices that he peddled as a candidate. To much horror and dismay, four years later, he has proven unequivocally that he can. Popular film and television have answered this mass erosion of truth and justice with narratives about powerful deceivers and sophists. Some, such as festival hit Bad Education (Cory Finley, 2019) and Ryan Murphy’s The Politician (2019–), are vehicles for political commentary, while others, such as Evan Peters’s story line in Pose (2018–), directly link to Trump.