All posts tagged: B. Ruby Rich

Conscience and Controversy

Not since the Soviet invasion of Czechoslovakia in 1968 that ended its Prague Spring, and the Chilean coup of 1973 that ended the presidency of Salvador Allende, has the film world been as galvanized by one country’s struggle as it has been in 2022 by Ukraine’s—though, of course, countless other global conflicts, atrocities, and deaths (Brazil, Yemen, Syria, Gaza) have also deserved such attention.

An Introduction

Today, there are celebrations taking place across U.S. universities. The creation of Asian American studies centers and departments fifty years ago was the culmination of an effort by students, administrators, and community members to reorient American history, to engage directly in their communities, and to promote Asian American faculty research and hiring. By 1968, there had been at least three generations of Chinese, Filipinos, and Japanese in the United States, many engaged in profound political work, but what was new about the late sixties was the creation and institutionalization of a collective, pan-ethnic voice known as Asian America.

Ending the Decade: Frankfurt, Marrakech, and 30/30 Vision

There was a dustup last fall over an op-ed by Martin Scorsese in the New York Times and his earlier interview with Empire magazine.1 Controversy erupted after he compared the movie franchises based on Marvel comic books to theme parks, saying they weren’t cinema, that he’d never go watch them, that they are ruining cinema. Hardly surprising! With the exception of his own delightful Hugo (2011) and his tireless World Cinema Project rescues of global film history, Scorsese is known for his own brand: a cinematic realism of hard streets, hard men, and hard mob battlegrounds, always set in specific pasts (New York, Las Vegas, Atlantic City, Boston) and always etching the DNA of masculinity onto the screen with unfailingly precise craftsmanship.

Winter 2019: Volume 73, Number 2

Julia Reichert’s Brilliant Career
Marceline Loriden-Ivens: A Posthumous Interview
Decoding Russian Doll
Festivals: FESPACO at Fifty, Bologna, Toronto
Series: Decolonizing Cinema & New Arab Women’s Films
Columns: Mexico in the ’80s, Rural Race Genres & Brown Bodies in Brit Pop Culture

Be Like Water: Film, Politics, Legacy

Bruce Lee counseled: “Be water, my friend,” alternately translated as “Be like water.” The protests that engulfed Hong Kong in early summer drew inspiration from the great martial-arts star, as reported by columnist Nicolas Atkin. He detailed how Lee’s famous saying “has become a clarion call among the young protesters” and “inspired a new form of guerilla tactics … with protesters moving in unexpected waves, rolling from one spot to another.” At the same time, as Atkin reminded readers, Jackie Chan has become persona non grata among these same young people for his pro-Beijing politics, which have tarnished his reputation.