Filmmaker Jonathan Nossiter weighs in on shifting terrains in the industry. The so-called “crisis” in Europe and North America is a euphemism, peddled by those who have lost nothing in the past few years, to soften the unacceptable shock of the new social-economic order. Among other victims, the culture of the artisanal gesture—authentic, free, and as old as our civilization—has been damaged as never before. Miraculously, in the world of wine, there is a group uniting rich and poor, Left and Right (though mostly Left and middle class) that has resisted with astonishing success. For years, I’ve wondered if my filmmaking colleagues would follow their lead. So I feel deeply relieved and excited to see that a growing number of my fellow filmmakers, consciously and unconsciously, are starting to follow the winemakers’ resistance to a cynical, corrupt, and wholly outdated system of production, distribution, and marketing with their own refusal of cinema’s systems of regulation and self-censorship.
FQ Editor-in-Chief B. Ruby Rich calls readers attention to the film festival and more. In the Spring 2014 issue of Film Quarterly, we pay attention, as always, to film festivals—this time, with a range of voices reporting on the Rotterdam, Berlin, True/False, and Middle East Now festivals. In this issue of Film Quarterly, we pay attention, as always, to film festivals—this time, with a range of voices reporting on the Rotterdam, Berlin, True/False, and Middle East Now festivals. These essays consider the new films on the circuit, but also think through the significance of very different festivals and cinematic histories. Festival coverage will continue to be an FQ cornerstone, alerting readers to important work coming to the public and to the politics of the festival circuit, but also heeding the larger questions of film festival instrumentality. (See the book review section for a consideration of two recent volumes assessing film festival histories.)
Brigitta B. Wagner reports from the 2012 Berlin International Film Festival, reviewing Farewell My Queen, Sister, Jaurès, Revision, Barbara, and Our Homeland.
Mediating Torture, Vampyr, Film Culture in Madrid, New Paths for German Cinema, and the 2008 Films of the Year
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