Bruce Lee counseled: “Be water, my friend,” alternately translated as “Be like water.” The protests that engulfed Hong Kong in early summer drew inspiration from the great martial-arts star, as reported by columnist Nicolas Atkin. He detailed how Lee’s famous saying “has become a clarion call among the young protesters” and “inspired a new form of guerilla tactics … with protesters moving in unexpected waves, rolling from one spot to another.” At the same time, as Atkin reminded readers, Jackie Chan has become persona non grata among these same young people for his pro-Beijing politics, which have tarnished his reputation.
News flash: recently, my faith in the power of film was restored. Paradoxically, this lift of spirits was occasioned by witnessing film’s power in cultures where it cannot be taken for granted, where threats and constraints make access fraught or impossible, where public assembly is more difficult yet ever more desirable than back home in the United States. As much as I love the joys and ease of streaming, the surprise of online discoveries, and the thrill of privilege when a DVD or Blu-ray lands unbidden in the mailbox, I am still a sucker for the theatrical experience and the transformative power of people assembling, all together in a hall, to share a screen.
Editor in Chief, B. Ruby Rich, weighs in on the latest in film and media culture. She recaps the recent “Dimensions in Black” event that FQ hosted at Film Society of Lincoln Center in New York City to launch our December 2017 issue; reviews the content of the current issue; pays tribute to notable voices in the field that have passed on; and hints at things to come in FQ’s 60th anniversary year.
Editor in Chief, B. Ruby Rich, weighs in on the latest in film and media culture. She recaps the recent Visible Evidence conference that took place in Buenos Aires, Argentina; reviews the content of the current issue, and introduces the important dossier on black film and media.
The idea that a struggle can be waged via cinema is an appealing one today, as so many other battlefields seem already lost. For me, there is always hope lurking in film and television and, increasingly, online media. Political obstacles may seem insurmountable, but as I am fond of declaring: nobody has to elect a film. You can buy your ticket or download the new season or share the latest upload or streaming evidence and—at press time, at least—no one can stop you.