All posts tagged: Eduardo Coutinho

A Vocation in Film

FQ Editor-in-Chief B. Ruby Rich’s roundup of the Summer 2016 issue: Volume 69, Number 4. Rich recalls the early years of university-level film history courses, assesses the barrage of industry news that lands on her desk daily, and pays homage to Richard Dyer, who was honored by the Society for Cinema and Media Studies at their annual conference. Dyer’s first published monograph, GAYS AND FILM (1977), came into the world in a vacuum. There was simply no such field. Today, it is difficult to comprehend the force of imagination and courage required to launch such a career at such a time. Forty years ago, a grand ballroom would not have filled with people and applause for a gay scholar; today, it was unremarkable that one did.

Conversation and Duration in Eduardo Coutinho’s Films

I am not interested in the short take. I want the temporal dimension of things.—Eduardo Coutinho

Dossier co-editor (and FQ Contributing Editor) Natalia Brizuela takes up the much-debated theme of conversation in the films of Eduardo Coutinho, and juxtaposes the conversational to the questions of temporality and duration that occur across Coutinho’s entire body of work.

An Introduction to Coutinho

FQ Editor-in-Chief B. Ruby Rich and guest issue editor Natalia Brizuela introduce FQ’s dossier on the work of Brazilian filmmaker Eduardo Coutinho, who died unexpectedly in 2014. Eduardo Coutinho, the greatest documentary filmmaker in the last half-century of Brazilian cinema, is woefully underrecognized in the United States and has not been adequately incorporated into the global history of documentary cinema. This dossier aims to open up conversations about the work of Coutinho in Anglophone cinema studies, and to encourage more scholarship on the subject.