All posts tagged: Featured

Winter 2020: Volume 74, Number 2

Dossier on the New Brazilian Cinema: Aesthetics and Emergencies from Lula to Dilma to Bolsonarismo
Dawn Hudson’s Documentaries and Civil Rights History
Michaela Coel’s I May Destroy You
Latin American’s Women’s Pictures
Page Views: the Ethics of Appropriation

Zoom Out: The Melancholic Screens of 2020

Over the first months of the pandemic, the internet filled with streaming playlists, Zoom masterpieces, and classic revivals. The litany of canceled or virtual film festivals had become the new normal, with everything from SXSW to Cannes to Telluride called off or moved entirely online, and then evolving into hybrids or customized drive-ins.

Thinking about Watchmen: A Roundtable

Michael Boyce Gillespie leads a roundtable with scholars Jonathan W. Gray, Rebecca A. Wanzo, and Kristen Warner to discuss issues of medium, genre, fandom, and African American history in the highly regarded HBO series Watchmen. Characterizing the HBO series as a disobedient adaptation that modifies, extends, and redirects the world making of its source material, the famed twelve-issue comic-book series of the same name, written by Alan Moore and drawn by Dave Gibbons, Gillespie et al. explore the ways in which Watchmen remediates American history, starting with the Tulsa Race Massacre of 1921 that serves as the historical and ideological trigger that sets the series in motion. In a wide-ranging conversation that encompasses subjects including fan fiction, adaptation, cultural mythology, and black superheroes, the authors argue for Watchmen’s significance as some of the most consequential television of the century so far.

From the Archives: The Time is Now

In February 1968, at the West Indian Students’ Centre in London, James Baldwin delivered a now-famous lecture on black experience and identity in Britain and America. Boldly rejecting simplistic notions of race and color by elucidating the history of racial mixing in the United States and the colonies, he also led a discussion with civil rights activist and comedian Dick Gregory on the role of white liberals in the black struggle. The event was brilliantly captured by Trinidadian-British photographer and recently trained filmmaker Horace Ové in Baldwin’s Nigger (1969), a forty-eight-minute black-and-white documentary made in a simple but intimate cinema verité style.

Webinar: Asian American Film @ 50

On May 22, Brian Hu and FQ’s editor B. Ruby Rich moderated a virtual conversation celebrating fifty years of Asian American film. With FQ special dossier contributors Lan Duong, Viola Lasmana, Josslyn Luckett, Melissa Phruksachart, and Oliver Wang.