All posts tagged: Film Festivals

Unknown Continents: A Conversation with authors Patricia Zimmermann and Scott MacDonald

There are many Flaherty Film Seminars. The one I first encountered was the image of a staid, cliquish institution, as shared by Jonas Mekas in his Lost Lost Lost (1976). In one extended sequence, recorded in 1963, Mekas, Ken Jacobs, and several of their friends try to crash the week-long gathering in rural Vermont with the hopes of screening Jack Smith’s Flaming Creatures (1963) and Jacobs’s Blonde Cobra (1963). They’re turned away, but no bother: the group sleeps outside in their truck and film themselves rising with the sun.

Fall 2017: Volume 71, Number 1

Syrian Cellphone Documentaries
Rithy Panh’s Exiles
Emiko Omori’s Camera Eye
Virtual Reality: Beyond the Platform

Casting JonBenet, Multiple Maniacs,
Their Finest, The Jewel and the Crown,
Bellas de noche, Plaza del la Soledad

Reports from True/False, Full Frame, Orphans

The Seen and The Unseen

The idea that a struggle can be waged via cinema is an appealing one today, as so many other battlefields seem already lost. For me, there is always hope lurking in film and television and, increasingly, online media. Political obstacles may seem insurmountable, but as I am fond of declaring: nobody has to elect a film. You can buy your ticket or download the new season or share the latest upload or streaming evidence and—at press time, at least—no one can stop you.

Scandale! Dorothy Arzner in Paris

The Cinémathèque Française in Paris announced it would present a major retrospective of Arzner’s films in March and April.  Whatever one might say about the many treasures of the Cinémathèque, one fact is incontrovertible: women film directors have never figured prominently. Could the Arzner program offer a refreshing change in the Cinémathèque’s offerings, perhaps even a sign that traditional French cinephilia is loosening its hold on French film culture? Sadly, not.

Under Duress

Editor B. Ruby Rich weighs in on the latest issue of FQ, new revivals in a time of duress, trends in distribution, FQ’s approach to watching, writing, thinking about cinema and media in a time of ongoing political repression, and more.

Morelia Film Festival

Eleven years after its launch, the Morelia International Film Festival (Festival Internacional de Cine de Morelia, FICM) is still Mexico’s most vibrant venue for both up-and-coming and established filmmakers.