James Baldwin: Vocalizing History
Digital Sovereignty Online
Billy Woodberry’s Return to Form
Thriller’s Queer Feminist History
Rotterdam & Sundance Festivals
Writings on Juana Inés, Jackie, Earth
and Kate Plays Christine
RIP John Berger
Editor B. Ruby Rich weighs in on the latest issue of FQ, new revivals in a time of duress, trends in distribution, FQ’s approach to watching, writing, thinking about cinema and media in a time of ongoing political repression, and more.
FQ Editor-in-Chief B. Ruby Rich weighs in on the latest issue of FQ, new trends in streaming, FQ‘s panel at Film Society of Lincoln Center, and what media makers, critics, and scholars might do toward a new “cinema of urgency.”
Eleven years after its launch, the Morelia International Film Festival (Festival Internacional de Cine de Morelia, FICM) is still Mexico’s most vibrant venue for both up-and-coming and established filmmakers.
FEATURES: A Special Dossier on The Act of Killing; An interview with Fatimah Tobing Rony; The Morelia Film Festival; Sundance at Thirty; and more…
“Last year’s Cannes was the best I’ve attended in twenty-seven years. This year was the worst…”
Megan Ratner reports from New York’s New Directors/New Films festival, praising The Minister, Las Acacias, and Stanley Kubrick’s debut Fear and Desire.
Brigitta B. Wagner reports from the 2012 Berlin International Film Festival, reviewing Farewell My Queen, Sister, Jaurès, Revision, Barbara, and Our Homeland.
When the Sundance Film Festival debuted in the 1980s, it entered a landscape dominated by a small corps of well-established A-list film festivals: New York, Chicago, San Francisco. A scrappy upstart, it quickly crashed the VIP room with the help of Robert Redford’s celebrity
FEATURES: A survey of Kathryn Bigelow’s cinema; an interview with Patrick Keiller; a reflection on the links between documentary and avant-garde; and the visionary television shows World on a Wire and Artemis 81
READ: Cristi Puiu Discusses Aurora, At the Edge of History, London Notebook, and Interview with Olivier Assayas
