All posts tagged: FQ 68.1

Film, Digitality, and Cultural Divides

Summertime is usually an interregnum for Film Quarterly and many of its readers: a time between university terms and, with the singular exceptions of Locarno and Karlovy Vary, between film festivals as well: after Cannes, before Toronto/Telluride/Venice/New York. As this issue went to press, however, production was repeatedly interrupted by a need to attend to the news.