All posts tagged: HBO

Turning Sixty

B. Ruby Rich From Film Quarterly Summer 2018, Volume 71, Number 4 Turning sixty is a landmark. No, not mine: it is Film Quarterly that this year marks its ripe old age and can reassert its claim as the oldest continuing film journal in the United States. Thanks to its dedicated contributors, staff, editorial boards, and, of course, the University of California Press, its publisher and steward, FQ remains young and vital even today, alive and kicking, and, I’d like to think, better than ever. Anniversary celebrations kicked off in Toronto in March, where the annual Society for Cinema and Media Studies (SCMS) conference offered an occasion for the FQ reception at SoHo House. The gathering was a wonderful mix of Toronto locals, FQ contributors and masthead notables, Criterion moguls, UC Press staff, and a kinship network of FQ friends and family. A slideshow of Film Quarterly through the ages was assembled and presented by FQ editorial assistant, Marc Francis. A first run of postcards drawn from four different editorial eras (Ernest Callenbach, Ann Martin, …

Made for Quality Television?

Masculinist bias may explain why made-for-television movies—that most feminine and denigrated of television genres—were never considered “quality” until very recently. This summer, two telefeatures brought quality television’s innovations to small-screen docudrama.

The Wire for Tourists?

Who watches The Wire? It’s a truism that HBO’s sprawling five-season narrative of systemic dysfunction in Baltimore attracted fewer viewers—not to mention awards—than it deserved. That those whom it did attract often tended towards the evangelical did not always work in the show’s favor…