All posts tagged: Interviews

Unknown Continents: A Conversation with authors Patricia Zimmermann and Scott MacDonald

There are many Flaherty Film Seminars. The one I first encountered was the image of a staid, cliquish institution, as shared by Jonas Mekas in his Lost Lost Lost (1976). In one extended sequence, recorded in 1963, Mekas, Ken Jacobs, and several of their friends try to crash the week-long gathering in rural Vermont with the hopes of screening Jack Smith’s Flaming Creatures (1963) and Jacobs’s Blonde Cobra (1963). They’re turned away, but no bother: the group sleeps outside in their truck and film themselves rising with the sun.

Imagining Hollywood from the Outside In: A Conversation with Celestino Deleyto

It is not uncommon for me to pick up a book—any kind of book—and as I begin to read it, to make mental notes of elements of the story or facts that intersect with my own experiences. I am certain that I am not alone in this practice of suturing myself into these written realms. Film scholars have been developing multiple theories regarding notions of subject formation ever since Jacques Lacan first developed the concept in the 1950s–60s. From Daniel Dayan and Pierre Oudart to Jacques Alain-Miller to Christian Metz to Stephen Heath to Laura Mulvey to Kaja Silverman, despite this post-post–ad infinitum structural moment, debates on the logic of the signifier persist in film and media studies.

The “Trivialist Cinema” of Roy Andersson: An Interview

FQ Contributing Editor Megan Ratner interviews filmmaker Roy Andersson. Swedish writer-director Roy Andersson explores human behavior and its consequences. His Living Trilogy of films, begun in 2000, takes stock of what it means to be a human being. In each Living Trilogy installment, brief but complete scenes pose questions about awareness, responsibility, and the weight of history in contemporary life. Despite his dense material, Andersson’s touch is light, the occasionally farcical tone sympathetically mordant. Sharply lampooning society’s rules, expectations, and institutions, Andersson reserves his benevolence for flops and lost causes.

Interview with Andrei Ujică

“The idea at the basis of the project can be summarized in this way: in 1989, a hundred cameras followed what was happening in Romania; history is no longer divided into theatrical scenes, nor into literary chapters—it is perceived as a sequence; and the sequence demands a film.”

Interview with Olivier Assayas

“To me he’s a figure at Algiers airport: a man who was thin then, wearing a Che Guevara beret.” Thus the controversial lawyer Jacques Vergès reminisces in Barbet Schroeder’s fine documentary, Terror’s Advocate (2007), speaking of Ilich Ramírez Sánchez — known as Carlos—the Venezuelan terrorist and revolutionary presently imprisoned in Poissy, France, for the 1975 rue Toullier murder of two French intelligence agents in Paris.