On September 25th, Film Quarterly launched PAGE VIEWS LIVE, its new webinar series showcasing the best in recent film and media studies publications. The series kicked off with a conversation between Page Views editor Bruno Guaraná and Samantha N. Sheppard about her highly anticipated new book, Sporting Blackness: Race, Embodiment, and Critical Muscle Memory on Screen.
A Black man wearing a noose around his neck, filmed from a low angle. This brief, cryptic shot opens Haile Gerima’s short film Hour Glass (1971). A cut, and the character is reintroduced as a college basketball player, first at practice, then in a game, surrounded by other Black athletes. They work the ball while, as Umar Bin Hassan—member of the legendary Harlem collective the Last Poets—recites on the soundtrack, “The white man is cuttin’ off their balls.” Glancing toward the white spectators in the bleachers, the ballplayer seems to experience an epiphany, comprehending his objectification and commodification as an athlete.
“Dimensions in Black: Perspectives on Black Film and Media.” The live launch of FQ 71.2 at the Film Society of Lincoln Center on December 5, 2017. This event featured the dossier authors and editor in conversation with each other and the audience.