FQ Columnist Caetlin Benson-Allott bids farewell to her column “Platforming” with a focus on the film EUROPA REPORT. When I began writing “Platforming” three years ago, my goal was to create an ongoing reflection on the ways that new production and exhibition technologies were changing narrative film and the spectatorial experience.In pushing the definition of platform to include the material substrates and ideological codes that shape motion pictures, I wanted to consider how the feature film as a narrative system responds to technological change and to articulate the ways that platforms express social value. It would be antithetical to such inquiry to end the platform that has been this column with a gesture towards consummation or closure. So instead I want to interrogate the stakes of closure and similar narrative conventions with a film that does likewise.
Jonathan Rosenbaum revisits Steven Spielberg’s futuristic epic (prepared by Stanley Kubrick), A.I. Artificial Intelligence.
Stanley Kubrick, Film Noir, and Transnationality and Identity. Plus reviews of Dog Days, No Man’s Land, and The Merchant of Venice
READ: a review of No Man’s Land