Emergency Cinema and the Dignified Image: Cell Phone Activism and Filmmaking in Syria
One of the most significant aspects of the wave of protests and uprisings that began in Syria in 2011 was the use of the cell phone camera as a tool of documentation, political activism, and creative expression. With professional journalists and major news networks barred from entering the country, Syrian citizens took it upon themselves to record their own protests as well as the violent reactions they provoked from members and supporters of the Assad regime. In the first few months of protests (March–June 2011), these recordings were virtually the only images coming out of Syria. Gradually, however, exiled political activists smuggled cell phones, cameras, and laptops into Syria with the specific aim of documenting protests and violence.