Julia Reichert’s Brilliant Career
Marceline Loriden-Ivens: A Posthumous Interview
Decoding Russian Doll
Festivals: FESPACO at Fifty, Bologna, Toronto
Series: Decolonizing Cinema & New Arab Women’s Films
Columns: Mexico in the ’80s, Rural Race Genres & Brown Bodies in Brit Pop Culture

Dirty Data: The Cleaners
Monos in Colombia
Miserabilism in Ray & Liz
Can You Ever Forgive Me?
Ecology in Game of Thrones
Interview: Cristina Ibarra and Alex Rivera on The Infiltrators
Festivals: Cannes, Malaga

Roma, Roma, Roma
Claire Denis at her Most Tender
Julie Dash’s Televisual Legacy
Malinche Reinvented
Free Solo, Transit, Never Look Away
Festivals: Berlinale and Sundance
Reading Mira Nair

Manifesto! Eleven Calls to Action
Interview: Maria Augusta Ramos
Pawlikowski’s Cold War
Getting Real Conference
China’s Festival Culture
Radical Catalan Cinema
The House of Flowers
Seventies Feminism Revisited
Recasting M.I.A.’s Image

The Surveillance Apocalypse
Reclaiming Liu Na’ou
The Wolf Warrior 2 Phenomenon
Interviews: Agnes Varda and Cheryl Dunye
Raazi: Women at War
Horror Renaissance
Run Coyote Run
History Lessons from the Seventies
Festivals: Karlovy Vary and Toronto

Handmaid’s Political Terror
Documentary & Accountability
Pressure and Guerrilla: British Black Film Legacies
RIP Nelson Pereira Dos Santos
Interview: Brett Story
Palestinian Revolutionary Cinema
Festivals: Orphans, Cinéma du réel