The Surveillance Apocalypse
Reclaiming Liu Na’ou
The Wolf Warrior 2 Phenomenon
Interviews: Agnes Varda and Cheryl Dunye
Raazi: Women at War
Horror Renaissance
Run Coyote Run
History Lessons from the Seventies
Festivals: Karlovy Vary and Toronto
Handmaid’s Political Terror
Documentary & Accountability
Pressure and Guerrilla: British Black Film Legacies
RIP Nelson Pereira Dos Santos
Interview: Brett Story
Palestinian Revolutionary Cinema
Festivals: Orphans, Cinéma du réel
Gianfranco Rosi’s Intimate Stories
Slow Violence in Heli
Dissecting the Okja soundtrack
The Business of Exhibition at 100
Interviews: Kenya Bariss and Kevin Jerome Everson
Film Festivals: Yamagata and Thessaloniki
Special Dossier
Dimensions in Black:
Perspectives on Black Film and Media
Naeem Mohaiemen at documenta 14
Updating the Female Gaze
in I Love Dick, Glow, Insecure
Film Festivals:
Bologna, Locarno, and Toronto
Syrian Cellphone Documentaries
Rithy Panh’s Exiles
Emiko Omori’s Camera Eye
Virtual Reality: Beyond the Platform
Casting JonBenet, Multiple Maniacs,
Their Finest, The Jewel and the Crown,
Bellas de noche, Plaza del la Soledad
Reports from True/False, Full Frame, Orphans
James Baldwin: Vocalizing History
Digital Sovereignty Online
Billy Woodberry’s Return to Form
Thriller’s Queer Feminist History
Rotterdam & Sundance Festivals
Writings on Juana Inés, Jackie, Earth
and Kate Plays Christine
RIP John Berger
Interviews with Barry Jenkins, and Maren Ade
Girl Power on Screen in Girlhood, The Fits, Arrival, Into the Forest, and Certain Women
Queen Sugar in Column Debut
Cuban Retrospective at DocLisboa
RIP Juan Gabriel
Interview with Julie Dash
Latin American Cinema in Circulation
The Battle of Algiers at 50
Spike Lee’s Satire in a Time of Sorrow
Race, Gender, and Genre in Spec Ops: The Line
The Horror of Facebook Live
A special dossier on Chantal Akerman with articles by dossier co-editor Ivone Margulies, Laura Mulvey, and an interview by B. Ruby Rich; plus the first English language translations of some of Akerman’s work, a post-mortem bibliography of writing on Akerman, a special video tribute to Akerman and the importance of sound in her films by Barbara McBane; a report from the goEAST film festival, and a rich slate of book reviews round out this “back to school” issue.
Jill Soloway’s Transparent and the New Television; Ex Machina In The Garden; Rituparno Ghosh’s Bariwali; interviews with Christopher Harris, Annie Baker, and Hanna Polak; festival reports from IDFA and Sundance; and more!
