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Fall 2022: Volume 76, Number 1
Interview: Karim Aïnouz Madame Satã at Twenty A Night of Knowing Nothing Refugee Narratives—Before Flee Insomnia of a Serial Dreamer Page Views: Lynn Spigel Thessaloniki Documentary Festival Cannes Film Festival at Seventy-Five Columns: Dementia, Close-Ups, Julia Child
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Summer 2022: Volume 75, Number 4
Hong Kong’s New Documentary Vernacular Bodily Drama in Tsai Ming-Liang’s Days Women Auteurs, Western Promises Factory Farms in Cow and Gunda Passing, Social Issue Films, and the Beautiful Colombia Enchanted in Memoria and Encanto Sundance Film Festival Page Views: Queer African Cinemas
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Spring 2022: Volume 75, Number 3
Sky Hopinka's Visual Sovereignty Bad Trans Objects, Redeemed Interview: Wayne Wang The Politics of Parallel Mothers Interview: Pascale Ferran Hollywood's Movie Theatre Empire Latin American Non-Fiction A Critical Representation Theory Ingmar Bergman as Genre Remake
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Winter 2021: Volume 75, Number 2
Dossier: the Resilient Spring of Arab Cinema, Ten Years After The Underground Railroad Roundtable and Barry Jenkins Interviewed Irony in the Trump Era Festivals: Black Star, Telluride Latin American Animation, White Lotus, Scrolling Ennui, Union Organizing on TV
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Fall 2021: Volume 75, Number 1
Garrett Bradley’s Poetics Rethinking Feminist Anger Pandemic Binge-watching Pacific Film Archive at Fifty The Black Gentrification Film Latin American Dystopias The Man Who Sold his Skin Page Views: Cinematic TV
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Summer 2021: Volume 74, Number 4
Documentary's Radical Unreal The Antipodal in Argentine Documentary Women and Work in South Korean Cinema Death in Venice at Fifty Special Focus on "Small Axe" Sundance Report Remembering Walter Bernstein
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Spring 2021: Volume 74, Number 3
The New Butch Middlebrow Streaming Streets: Hong Kong's Digital Media Helena Ignez, Brazil's Unknown Superstar Mediterranean Border Crossings Interview with Michelle Porte Churails: Revenge and Censorship Queer Revolutionary Docs, From Puto to Bixa Lucia Nagib's Realist Cinema
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Winter 2020: Volume 74, Number 2
Dossier on the New Brazilian Cinema: Aesthetics and Emergencies from Lula to Dilma to Bolsonarismo Dawn Hudson's Documentaries and Civil Rights History Michaela Coel's I May Destroy You Latin American's Women's Pictures Page Views: the Ethics of Appropriation
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The New Aesthetics of Discovery and Emergency in the New Brazilian Cinema
B Ruby Rich and João Luiz Vieira survey recent trends in contemporary Brazilian cinema.
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Zoom Out: The Melancholic Screens of 2020
Over the first months of the pandemic, the internet filled with streaming playlists, Zoom masterpieces, and classic revivals. The litany of canceled or virtual film festivals had become the new normal, with everything from SXSW to Cannes to Telluride called off or moved entirely online, and then evolving into hybrids or customized drive-ins.