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Fall 2020: Volume 74, Number 1
Asian Americans, the Series Interview: Renee Tajima-Peña Special Focus: Fraud and Documentary Trigonometry and Sex Education Virtual Doc Market Transitions The Wandering Earth and Nova Zeng Jinyan with Ai Xiaoming Page Views: Sporting Blackness
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From the Archives: Albert Johnson
Black film scholar, critic, and curator, Albert Johnson is hardly a household name--but he should be. In 1965, at the height of the civil rights era, Johnson offered this dissection of the representation of African-Americans in Hollywood cinema of the time.
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Thinking about Watchmen: A Roundtable
Michael Boyce Gillespie leads a roundtable with scholars Jonathan W. Gray, Rebecca A. Wanzo, and Kristen Warner to discuss issues of medium, genre, fandom, and African American history in the highly regarded HBO series Watchmen. Characterizing the HBO series as a disobedient adaptation that modifies, extends, and redirects the world making of its source material, the famed twelve-issue comic-book series of the same name,...
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From the Archives: The Time is Now
In February 1968, at the West Indian Students’ Centre in London, James Baldwin delivered a now-famous lecture on black experience and identity in Britain and America. Boldly rejecting simplistic notions of race and color by elucidating the history of racial mixing in the United States and the colonies, he also led a discussion with civil rights activist and comedian Dick Gregory on the role...
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Webinar: Asian American Film @ 50 (Part 2)
On June 5th, Brian Hu and FQ editor B. Ruby Rich moderated a virtual roundtable on Asian American filmmaking in New York during the 1980s and 1990s. With FQ special dossier contributors Roddy Bogawa, Shu Lea Cheang, Daryl Chin, Vince Schleitwiler, and Rea Tajiri.
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From the Archives: Death Grips
Christina Sharpe's conception of "wake work" concentrates on how visual and expressive culture renders and contemplates death and the afterlife of slavery in black life.[1] For Sharpe this entails a focus on how "literature, performance, and the visual culture observe and mediate this un/survival.”[2] Her assessment of existence “in the wake” as a critical positioning attends to the structural and affective with reference to...
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Webinar: Asian American Film @ 50
On May 22, Brian Hu and FQ’s editor B. Ruby Rich moderated a virtual conversation celebrating fifty years of Asian American film. With FQ special dossier contributors Lan Duong, Viola Lasmana, Josslyn Luckett, Melissa Phruksachart, and Oliver Wang.
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Coronavirus Drone Genres: Spectacles of Distance and Melancholia
Patricia R. Zimmermann and Caren Kaplan explore the "coronavirus drone" genre.
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Martial Law Melodrama: A Conversation with José B. Capino
In Lino Brocka's Bona (1980), Filipina star Nora Aunor plays the titular character, who grows infatuated with Gardo (Phillip Salvador), a B-movie actor and stuntman. Bona gives up the comfort of her middle-class home, leaving behind her family and boyfriend, to live with Gardo in a Manila slum. She dedicates her life to serving Gardo full-time, in spite of the many abuses to which...
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Hunting for Reality: An Interview with Marina Razbezhkina
Marina Razbezhkina is a well-known Russian documentary filmmaker, educator, and founder of the largest independent documentary school in the country. Her very original approach to documentary, which combines intimate proximity to the protagonist with raw observational aesthetics, revolutionized the Russian film landscape and became the trademark of her school. Her students most often work as a one-person crew with a lightweight hand-held camera shadowing...
