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Fall 2023: Volume 77, Number 1

Documentary and Reenactment in Maria Schneider, 1983 and My Name is Andrea, Collectivism and the New Negress Film Society, Special Focus: Chilean Film & Media, Fifty Years Later (1973/2023), Interview: Sam Pollard, Columns: Labor and the AI Film, The Video Revolution, Maximalist Cinema, Cannes Film Festival, Page Views: Political Camerawork

Summer 2023: Volume 76, Number 4

The Hybrid Truths of Blue Island
Marco Bellocchio: History & Memory
Intimate Activism in All the Beauty and the Bloodshed
Everything Everywhere All at Once: Transpacific Genres, Indie Transgressions
Interview: Yolande Zauberman
Film Festivals: Sundance, Rotterdam, Berlin
Page Views: Laura Mulvey and Peter Wollen

Spring 2023: Volume 76, Number 3

Madubuko Diakité’s Radical Documentary

Power Dynamics in TV Tech Dramas

Dossier: The “Black Infinite” in
Dumbo, St. Louis Blues, Atlantique(s),
Exterminate All The Brutes, and T

Columns: Viola’s Body, Female Empowerment in Physical, and Telling Latin America’s Histories

Page Views: Uncomfortable Television

Fall 2022: Volume 76, Number 1

Interview: Karim Aïnouz
Madame Satã at Twenty
A Night of Knowing Nothing
Refugee Narratives—Before Flee
Insomnia of a Serial Dreamer
Page Views: Lynn Spigel
Thessaloniki Documentary Festival
Cannes Film Festival at Seventy-Five
Columns: Dementia, Close-Ups, Julia Child

Summer 2022: Volume 75, Number 4

Hong Kong’s New Documentary Vernacular
Bodily Drama in Tsai Ming-Liang’s Days
Women Auteurs, Western Promises
Factory Farms in Cow and Gunda
Passing, Social Issue Films, and the Beautiful
Colombia Enchanted in Memoria and Encanto
Sundance Film Festival
Page Views: Queer African Cinemas

Spring 2022: Volume 75, Number 3

Sky Hopinka’s Visual Sovereignty
Bad Trans Objects, Redeemed
Interview: Wayne Wang
The Politics of Parallel Mothers
Interview: Pascale Ferran
Hollywood’s Movie Theatre Empire
Latin American Non-Fiction
A Critical Representation Theory
Ingmar Bergman as Genre Remake

Winter 2021: Volume 75, Number 2

Dossier: the Resilient Spring of Arab Cinema, Ten Years After
The Underground Railroad Roundtable and Barry Jenkins Interviewed
Irony in the Trump Era
Festivals: Black Star, Telluride
Latin American Animation, White Lotus, Scrolling Ennui, Union Organizing on TV